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John Stump, composer of Faerie’s Aire and Death Waltz
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The Tennessee Waltz
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Neil Young followed, singing " Helpless " with backing vocals by Joni Mitchell who remained off stage. Mitchell came on after Young and sang three songs, two with the backing of Dr.
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John on congas. Neil Diamond was next, introducing his "Dry Your Eyes" by saying, "I'm only gonna do one song, but I'm gonna do it good. Diamond's appearance was not popular with all of the other performers. In his autobiography, Levon Helm was critical of the inclusion of Diamond, not discerning any musical connection to The Band. A persistent rumor claims that when Diamond came off stage he remarked to Dylan, "Follow that," to which Dylan responded, "What do I have to do, go on stage and fall asleep?
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The Band then performed a short set of some more of its songs before Bob Dylan came on stage to lead his former backing band through four songs. Dylan, who wrote the song, and Manuel, whose falsetto rendition had made the song famous on Music from Big Pink , shared lead vocals, although Manuel cannot be clearly seen in the film and switched between his normal and falsetto voices between verses. Two loose jam sessions then formed. John on piano, Paul Butterfield on harmonica and Ringo Starr on drums. It was followed by "Jam 2" with the same personnel minus Robertson and Danko.
Stephen Stills , who showed up late, took a guitar solo and Carl Radle joined on bass.
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It was the last time the group performed under the name "The Band" with its classic lineup. The five joined stage at a Rick Danko concert in John and Joe Cocker. The stage and lighting were designed by Boris Leven , who had been the production designer on such musical films as West Side Story and The Sound of Music. With Bill Graham 's assistance, the set from the San Francisco Opera 's production of La traviata was rented as a backdrop for the stage.
Crystal chandeliers were also hung over the stage. John Simon, who ran the rehearsals for the show, would give Scorsese details as to who sang what and who soloed when for each song. Scorsese meticulously storyboarded the songs, setting up lighting and camera cues to fit the lyrics of the songs. But despite his planning, in the rigors of the live concert setting, with the loud rock music and the hours spent filming the show, there were unscripted film reloads and camera malfunctions.
It was not possible for all songs to be covered. Notably omitted from the film is Stephen Stills , who only performed in a jam session. Both jam sessions were omitted from the film entirely. While Bob Dylan had agreed to perform in concert, he did not want his appearance filmed because he feared it would detract from his own film project Renaldo and Clara. Backstage negotiations took place during an intermission. Robertson assured Dylan that the concert film's release would be delayed until after his film, and with that Dylan relented and agreed to be filmed.
Promoter Bill Graham was also involved in the talks. Shoot him! He comes from the same streets as you. Don't let him push you around. Scorsese has said that during this period, he was using cocaine heavily. The Band's performance of " The Weight " with the Staple Singers was included in the film instead of the concert version.
The Band and Harris performed "Evangeline", which was also included in the film. Finally, according to musical director John Simon, during post-production the live recording was altered to clean up "playing mistakes, out-of tune singing, bad horn-balance in the remote truck. The film has been hailed critically, listed among the greatest concert films. The website's critical consensus reads, "Among one of, if not the best rock movie ever made, The Last Waltz is a revealing, electrifying view of the classic band at their height.
Levon Helm , in his autobiography This Wheel's on Fire , expresses serious reservations about Scorsese's handling of the film, claiming that Scorsese and Robbie Robertson who produced the film conspired to make The Band look like Robbie Robertson's sidemen. He states that Robertson, who is depicted singing powerful backing vocals, was actually singing into a microphone that was turned off throughout most of the concert a typical practice during their live performances.